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New experiences shape the music of Seattle Symphony’s composer in residence
The Seattle Symphony's 2018-19 composer in residence Derek Bermel collaborates with Marcin Paczkowsky, a research associate in DXARTS.
04/19/2019 | The Seattle Times -
Watching Notre Dame burn, I thought of the Northwest's own coming catastrophe
Op-ed by Professor James Wellman, Professor and Chair of the Comparative Religion Program in the Jackson School of International Studies
04/18/2019 | Crosscut -
Alumni Spotlight: Jake Prendez
Meet the American Ethnic Studies alum whose new gallery in White Center celebrates Latinx art and a home for the 'in-between.'
04/18/2019 | Crosscut -
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ArtsUW Roundup: Romeo and Jules, Seattle Symphony: Mozart Symphony No. 40, Performing with the Brain, and more!
This week, attend opening night of “Romeo and Jules”, witness musicians perform with their brains, drop in at the library for a lunchtime concert . . .
04/17/2019 | UW News -
With ‘Nina Simone: Four Women,’ director Valerie Curtis-Newton wants audiences to see the work of black women
Valerie Curtis-Newton, head of directing program in the School of Drama, is the director of "Nina Simone: Four Women" at the Seattle Repertory Theatre, on stage April 26.
04/17/2019 | The Seattle Times -
Feast Your Eyes on the First Image of A Black Hole
Emily Levesque, an astronomer at the UW, weighs in on the significance of the first image of a black hole.
04/15/2019 | NOVA -
‘Indigenous/Settler’ conference examines historical and contemporary issues across geographies
Chadwick Allen, a professor of English and the Russell F. Stark University Professor, commented on the emergence of Indigenous studies programs in higher education.
04/15/2019 | Princeton University News -
Indigenous weaving as resistance
Artist Sara Siestreem speaks at the Henry Art Gallery about what it means to be a tribe member, artist, educator
04/14/2019 | The Daily -
370 dance videos combined into one striking solo
Seattle choreographer Mark Haim, a Department of Dance lecturer, crowdsources a new performance.
04/12/2019 | Crosscut