Arts Division

This week at the UW, watch the play Rosmersholm, attend a book talk, and more.

This week at the UW, attend a talk on Gender in the E.U, visit the Henry Art Gallery, and more.

Seattle’s Sam Clover is a digital sculptor, known as Planttdaddii, who was struggling to pay her bills as a working artist. But in October, she started selling some of her colorful, ethereal digital art work as NFTs. James Coupe, associate professor of digital arts and experimental media at the UW, is quoted.

MFA in directing candidate Kristie Post Wallace's thesis production of "Accidental Death of an Anarchist" is a "graceful piece of art which made connecting with the story a piece of cake."

This week at the UW, attend the first art graduation exhibition, a talk entitled Filming Ethnographic Textures: Representing the Atmospheric Politics of Peruvian Cultural Practices, and more.

Jared Mace, a design student at the UW, is uplifting spirits by including an inspirational message with each coffee purchase at a cafe in Edmonds.

Valerie Curtis-Newton misses live theater. The head of directing and playwriting at the University of Washington School of Drama and the founding artistic director for Seattle-based theater company The Hansberry Project, Curtis-Newton is firm in this belief: The magic of theater is untranslatable to another medium.

The Jacob Lawrence Gallery has started accepting applications for its 2021 BIPoC Graduate Student Curatorial Fwlloeship, which supports students in curating their own show at the gallery.

Katherine Munoz-Castano, a first year student pursuing a double major in Art and Cinema + Media Studies and a recipient of the Crabby Beach foundation Art Scholarship, is interviewed about her time at the UW.

Gigi Costello-Montgomery, an Art major, discusses her unique pathway at the UW.

Jazz is a music based on improvisation, and evolution. Moving through Dixieland, swing, bebop, free jazz, fusion and beyond can make describing what jazz is a difficult proposition. Michael Brockman, the co-artistic director of Seattle Repertory Jazz Orchestra and an artist in residence at the UW School of Music, is interviewed.

"STAR CLUB REDEMPTION BOOTH," a new installation at the Henry Art Gallery poses questions of "human vulnerability, and the things we turn to to make sense of an uncertain world."

Final-year MFA directorial candidate Andrew Coopman's "RE: Social/Divide' "is a new kind of production that could only come about at a cultural moment like the pandemic."

This week at the UW, attend a meditation session, attend Curating in Conversation: A Panel Series on Sharing Northwest Native Art and Art History with the Public, and more.

Many states use color-coded tiers to signal coronavirus restrictions. Why are they all wildly different? Karen Cheng, professor of visual communication design at the UW, is quoted.